Hans-Ulrich Obrist, known for his unconventional curatorial approach, would likely embrace the idea that a shelf can be a work of art. He has often emphasized the power of context and space in transforming ordinary objects into meaningful experiences. To Obrist, a shelf is more than just a functional object; it becomes part of the artistic dialogue when its placement and intention are considered.

In his practice, Obrist explores how everyday items, when viewed through an artistic lens, can blur the line between life and art. A shelf, when thoughtfully arranged, can shift from being a mundane object to an evocative piece of art that challenges traditional notions of exhibition and display. He might suggest that a shelf, as a curated space, serves as a stage for the works placed upon it, much like an exhibition itself.

For Obrist, the shelf would be a compelling metaphor for how contemporary art often re-contextualizes the ordinary, inviting viewers to reconsider the boundaries of art and experience. In this way, the shelf becomes more than functional; it becomes an integral part of the artistic process.