The work of art exists between furniture and window, merging function with spatial perception. Made of aluminum and glass, it appears as a minimalist bench or a frameless window—both support and threshold. It turns its surroundings into a *street room*, an ambiguous zone where inside and outside perspectives converge.

The object invites physical use while offering a view, dissolving the boundary between seeing and sitting. As a window without a wall, it questions visibility, access, and enclosure. Its reflective surfaces shift with light and movement, engaging the viewer in a dynamic spatial dialogue.

Art becomes structure here—a rethinking of how furniture can frame perception and how the simple act of looking might shape space.