In ancient times, the concept of framing was inseparable from architecture and craftsmanship. Egyptian artisans encased mummy portraits in simple wooden borders, while Roman frescoes used painted or carved designs as natural frames within walls. These early “frames” were both functional and decorative, creating a defined space for storytelling and devotion. By the Middle Ages, framing took on religious significance. Integral to altarpieces, frames were carved into panels, gilded, and imbued with spiritual symbolism. The frame’s purpose evolved: it became a mediator between sacred art and the observer, elevating images from their surroundings and focusing attention on their divine essence. From the temple to the church, the frame laid the foundation for its dual roles as boundary and bridge.