Exhibiting has long been an essential means of presenting objects, ideas, and cultural narratives, serving as a way to structure and mediate public encounters with art and knowledge. While contemporary exhibitions are often associated with galleries, museums, and biennials, their origins stretch back to religious, political, and social contexts in which displays functioned to assert power, ideology, and cultural identity. Ancient civilizations used displays in temples and public spaces not only to showcase artistic skill but also to reinforce religious devotion and political authority. Over time, these practices evolved into more formalized methods of curating and presenting artworks, transforming exhibition-making into a crucial medium for shaping public discourse. The shift from sacred and private collections to public exhibitions marked a significant transition in the history of cultural engagement, allowing for broader accessibility and new frameworks of interpretation. Understanding the evolution of exhibition practices provides a deeper comprehension of their significance in contemporary culture, demonstrating how the act of display is always embedded in wider historical and ideological currents.