Historically, the presentation of artworks and artifacts predates the formalized concept of the art exhibition, with objects being displayed in various contexts for religious, political, and educational purposes. In ancient Egypt, Greece, and Rome, religious and political institutions played a central role in exhibiting objects, often using grand architectural settings such as temples, palaces, and civic spaces to legitimize authority and reinforce societal values. These objects were not merely decorative but carried symbolic and ideological weight, serving as tools of devotion, propaganda, and cultural continuity. In medieval Europe, churches and cathedrals housed religious relics, altarpieces, and devotional paintings, using visual culture to communicate theological narratives and establish sacred authority. The Renaissance introduced a new way of collecting and displaying art through princely collections and cabinets of curiosities, where rare and valuable objects were amassed as a testament to knowledge, wealth, and political power. These early practices laid the groundwork for structured exhibition models, transitioning from private domains to spaces that encouraged broader engagement and intellectual inquiry. The shift from objects as ritualistic and status-driven displays to curated collections with aesthetic and educational purposes marked an important turning point in the history of exhibiting.