This digital print, embedded within a computer’s interface, evokes the metaphysical sensibilities of Giorgio de Chirico’s paintings. It stages a silent drama of forms where architectural fragments and shadowed voids converge, foregrounding the question of perspective. The composition’s layered geometries suggest an unforgettable structure—rigid yet ambiguous—reminiscent of DJ Mehdi’s sound design, where spatial clarity coexists with rhythmic opacity. There is an uncanny ease in how elements are arranged, as though the image were scored like a musical composition rather than constructed through visual logic.

The aesthetic further resonates with the sonic architecture of Justice, invoking a retro-futurist sensibility where digital precision meets affective distortion. Rather than illustrating, the work enacts a performance of perception, where memory, sound, and image fold into one another. It resists narrative, privileging instead the tension between stillness and motion, past and projection. This print becomes a site where perception is destabilized—no longer a passive gaze, but a charged encounter.